Kastalia Knowledge Management System · Glasperlenspiel template · knot 2338

From Golden Age to the New Wave

🌐 public · created AE551208 (08.12.2025) · by · open in the standard editor view · β–Ά open as narrated presentation

John "Ticktockman" W. Campbell vs. Harlan "Harlequin" Ellison and Horselover "nicht-alle-Tassen-im-Schrank" Fat

Ancestors (1 superordinated path)

Descendants (at least 23 branches originate here)

  • From Golden Age to the New Wave πŸ”Š
    John "Ticktockman" W. Campbell vs. Harlan "Harlequin" Ellison and Horselover "nicht-alle-Tassen-im-Schrank" Fat
    • is_parent The New Wave
      The New Wave (mid-1960s to late 1970s) was a literary movement that rejected Golden Age rationalism in favor of experimentation, psychology, and stylistic innov
      • is_parent Context & Precursors πŸ”’ Β·
        **1950s–60s counterculture:** rise of youth rebellion, anti-establishment politics, and experimentation with altered consciousness. **LSD (discovered 1943, pop
      • is_parent Dangerous Visions πŸ”’ Β·
        "Dangeours Visions" is a title of short-fiction anthology published in 1967. Edited by Harlan Ellison, DV assembled 33 brand-new stories — many pushing bo
      • is_parent Harlan Ellisson (1934-2018) πŸ”’ Β·
        "Sci-Fi's Most Controversial Figure" bipolar disorder quite decorated: 8 Hugo Awards, 4 Nebula Awards, 5 Bram Stoker Awards, SFWA Grand Master anthologies: Dang
      • is_parent Occupation: Conscience πŸ”’ Β·
        "My work is foursquare for chaos. I spend my life personally, and my work professionally, keeping the soup boiling. Gadfly is what they call you when you are no
    • is_parent The Golden Age πŸ”’
      The Golden Age of Science Fiction (roughly late 1930s to mid-1950s) was a period defined by technological optimism, clear rational problem-solving, and the beli
      • is_parent Astounding πŸ”’ Β·
        **1926:** Hugo Gernsback launches *Amazing Stories*, defining “Sci-Fi” and creating the market. **1930:** *Astounding Stories* debuts under Clayton
      • is_parent Speculative Technologies πŸ”’ Β·
        Heinlein’s **powered exoskeletons** in *“Waldo”* (1942) → modern robotic exosuits. Clarke’s **geostationary communication satellite
      • is_parent Hard Science Fiction πŸ”’ Β·
        Hard science fiction is a mode of SF that prioritizes scientific accuracy, technological plausibility, and logical coherence. Its stories are built around const
    • is_parent The Story with 1000 camp-bells πŸ”’ Β·
      Joseph Campbell (1904 - 1987) mythographer who argued that all stories follow a shared “monomyth” of departure, initiation, return. His main work "T
    • is_parent Sci-Fi Community πŸ”’ Β·
      **Awards:** Hugos (since **1953**, fan-voted), Nebulas (**1965**, writer-voted), Locus (**1971**), BSFA (**1970**), Clarke Award (**1987**)β€”markers of global S
    • is_parent Philip Kindred Dick (1928 - 1982) πŸ”Š
      ultra-prolific (cca 45 novels, >120 short-stories) his twin sister Jane died when he was six weeks old first educated at Quaker schools, later at Berkeley sell
      • is_parent The Man in the High Castle (1962) πŸ”’ Β·
        An Axis-dominated world with Berlin as the political and technological center. Rocketry and aerospace supremacy redefining global power after WWII. The chinese
      • is_parent The Three Stigmata of Palmer Eldritch (1965) πŸ”’ Β·
        Chew-Z as a gateway to layered, recursive realities. Palmer Eldritch as alien–demiurgic intruder with three stigmata. Corporate rivalry turning metaphysic
      • is_parent Do Androids Dream of Electric Sheep (1968) πŸ”’ Β·
        A post-apocalyptic Earth emptied by nuclear fallout and mass extinction. Empathy as the defining human trait, tested through the Voigt–Kampff ritual. Rick
      • is_parent Ubik (1969) πŸ”’ Β·
        Decaying reality sliding backward in time. Cryonic half-life: the dead still communicate. Jory as parasitic consciousness devouring worlds. Ubik as quasi-cosmic
      • is_parent A Scanner Darkly (1977) πŸ”’ Β·
        Substance D splitting perception and selfhood. Surveillance turning protagonist into both watcher and watched. Erosion of personality into fragmented doubles. W
      • is_parent VALIS (1981) πŸ”’
        Theophany experienced as pink laser of information. VALIS as alien intelligence or Gnostic God. Schizophrenia, revelation, and ontology entangled. A world rule
        • is_parent IOTD: Cryptica Scriptura πŸ”’ Β·
          One Mind there is; but under it two principles contend. The Mind lets in the light, then the dark, in interaction; so time is generated. At the end Mind awards
      • is_parent Quote by R. D. Laing πŸ”’ Β·
        β€œInsanity -- a perfectly rational adjustment to an insane world.”
    • is_parent IOTD: Cryptica Scriptura πŸ”’ Β·
      One Mind there is; but under it two principles contend. The Mind lets in the light, then the dark, in interaction; so time is generated. At the end Mind awards
    • is_parent Fazit πŸ”’ Β·
      Hard SF solves the universe; New Wave doubts the solver.