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Machines in Our Image daniel-hromada ()


Machines in Our Image

Jean%20Regnault%2C%20Pygmalion%20priant%20V%C3%A9nus%20d'animer%20sa%20statue%20(1786)

Jean Regnault, Pygmalion priant Vénus d'animer sa statue (1786)

Artificial beings are not merely tools.

They become surfaces onto which humans project desire, identity and self-understanding.

Machine as Lover

Jean-L%C3%A9on%20G%C3%A9r%C3%B4me%2C%20Pygmalion%20and%20Galatea%20(1890)

Jean-Léon Gérôme, Pygmalion and Galatea (1890)

Pygmalion creates an ideal human form and falls in love with his creation.

Venus / Aphrodite grants the statue life.

The question is not merely:

Can we reproduce a human?

but:

Can we manufacture the human we desire?

Machine as Mirror

Artificial beings force us to ask what supposedly distinguishes us.

If it moves like us?

If it speaks?

If it remembers?

If it desires?

If it creates?

If it learns?

By constructing the non-human, we investigate the human.

Machine as Double

Pygmalion%20working%20on%20his%20sculpture%2C%20illumination%20on%20parchment%20(14th%20century)

Pygmalion working on his sculpture, illumination on parchment (14th century)

The artificial human is also a duplicate.

A second body.

A copy that may become difficult to distinguish from an original.

The double turns technology into an identity problem:

How do I know that you are one of us?