👂 🎴 🕸️
<
p
data
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start
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„
175
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519
“
><
strong
data
-
start
=
„
175
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data
-
end
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„
216
“
>
Dan
Simmons
strong
>
(
b
.
1947
)
is
one
of
science
fiction
’
s
great
<
strong
data
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start
=
„
261
“
data
-
end
=
„
291
“
>
masters
of
intertextuality
strong
>.
p
><
p
data
-
start
=
„
175
“
data
-
end
=
„
519
“
>
Following
the
four
-
book
<
strong
data
-
start
=
„
319
“
data
-
end
=
„
360
“
>
Hyperion
Cantos
strong
>
(<
em
data
-
start
=
„
362
“
data
-
end
=
„
372
“
>
Hyperion
em
>''
<
em
data
-
start
=
„
374
“
data
-
end
=
„
396
“
>
The
Fall
of
Hyperion
em
>''
<
em
data
-
start
=
„
398
“
data
-
end
=
„
408
“
>
Endymion
em
>''
<
em
data
-
start
=
„
410
“
data
-
end
=
„
432
“
>
The
Rise
of
Endymion
em
>)''
Simmons
turns
in
<
em
data
-
start
=
„
452
“
data
-
end
=
„
460
“
>
Illium
em
>
and
<
em
data
-
start
=
„
465
“
data
-
end
=
„
474
“
>
Olympos
em
>
to
an
even
more
radical
literary
experiment
.
p
><
p
data
-
start
=
„
521
“
data
-
end
=
„
962
“
>
Drawing
on
<
strong
data
-
start
=
„
532
“
data
-
end
=
„
573
“
>
William
Shakespeare
strong
>
(
from
sonnets
to
<
em
data
-
start
=
„
591
“
data
-
end
=
„
604
“
>
The
Tempest
em
>)''
<
strong
data
-
start
=
„
607
“
data
-
end
=
„
648
“
>
Marcel
Proust
strong
>
(<
em
data
-
start
=
„
650
“
data
-
end
=
„
681
“
>
À
la
recherche
du
temps
perdu
em
>)''
<
strong
data
-
start
=
„
684
“
data
-
end
=
„
725
“
>
Vladimir
Nabokov
strong
>
(<
em
data
-
start
=
„
727
“
data
-
end
=
„
732
“
>
Ada
em
>)''
and
the
<
strong
data
-
start
=
„
743
“
data
-
end
=
„
784
“
>
Iliad
strong
>''
the
<
em
data
-
start
=
„
790
“
data
-
end
=
„
806
“
>
Illium
–
Olympos
em
>
diptych
does
not
merely
reference
classical
texts
—
it
<
strong
data
-
start
=
„
862
“
data
-
end
=
„
882
“
>
reactivates
them
strong
>''
pulling
ancient
Muses
out
of
literature
and
into
the
reader
’
s
present
reality
.
p
><
p
data
-
start
=
„
964
“
data
-
end
=
„
1193
“
>
Through
quantum
technologies
''
parallel
universes
''
temporal
loops
''
and
posthuman
intelligences
''
Simmons
performs
<
strong
data
-
start
=
„
1060
“
data
-
end
=
„
1099
“
>
narrative
ingression
par
excellence
strong
>:
literature
crossing
its
own
boundary
''
entering
history
''
physics
''
and
consciousness
itself
.
p
>
In
the
<
strong
data
-
start
=
„
7
“
data
-
end
=
„
48
“
>
Hyperion
Cantos
strong
>''
the
<
strong
data
-
start
=
„
54
“
data
-
end
=
„
95
“
>
Hegemony
strong
>
is
a
human
interstellar
civilization
of
roughly
<
strong
data
-
start
=
„
144
“
data
-
end
=
„
162
“
>
250
–
300
worlds
strong
>''
bound
together
by
the
<
strong
data
-
start
=
„
186
“
data
-
end
=
„
227
“
>
Hegira
strong
>—
humanity
’
s
mass
migration
from
Old
Earth
after
ecological
collapse
.<
br
><
br
data
-
start
=
„
295
“
data
-
end
=
„
298
“
>
It
exists
in
the
<
strong
data
-
start
=
„
315
“
data
-
end
=
„
341
“
>
late
28th
century
A
.
D
.
strong
>''
relying
on
farcasters
''
dataspheres
''
and
the
Technocore
to
maintain
political
unity
''
economic
stability
''
and
daily
life
.
<
br
><
br
>
Beneath
its
apparent
prosperity
''
the
Hegemony
is
fragile
:
technologically
dependent
''
culturally
shallow
''
and
already
falling
apart
as
the
Cantos
begins
...
What
does
„
Republic
“
in
Star
Wars
''
as
well
as
„
Empires
“
of
 
Dune
and
Foundation
have
in
common
with
the
„
Hegemony
“
?
<
p
class
=
„
fragment
“
><
strong
>
Martin
Silenus
(
The
Poet
)
strong
>
—
Homer
archetype
:
epic
-
maker
''
obscene
bard
''
immortality
via
art
.
p
><
p
class
=
„
fragment
“
><
strong
>
Paul
Duré
(
The
Priest
)
strong
>
—
Teilhard
de
Chardin
archetype
:
faith
''
suffering
''
“
cosmic
”
theology
.
p
><
p
class
=
„
fragment
“
><
strong
>
Fedmahn
Kassad
(
The
Soldier
)
strong
>
—
Achilles
archetype
:
warrior
-
fate
''
eroticized
violence
.
p
><
p
class
=
„
fragment
“
><
strong
>
Sol
Weintraub
(
The
Scholar
)
strong
>
—
Abraham
archetype
:
father
tested
by
impossible
sacrifice
.
p
><
p
class
=
„
fragment
“
><
strong
>
Brawne
Lamia
(
The
Detective
)
strong
>
—
Orpheus
archetype
:
love
descending
into
the
underworld
.
p
><
p
class
=
„
fragment
“
><
strong
>
The
Consul
strong
>
—
Aeneas
archetype
:
exile
''
duty
''
tragic
founding
of
futures
.
p
><
p
class
=
„
fragment
“
><
strong
>
Het
Masteen
(
The
Templar
)
strong
>
—
Hermit
(
Tarot
)
archetype
:
withdrawal
''
ecological
mysticism
''
otherness
.
p
>
In
Cantos
Hyperion
''
The
Technocore
is
composed
of
following
components
:<
p
class
=
„
fragment
“
><
strong
>
Stables
strong
>
—
conservative
AIs
''
understanding
the
importance
of
Humanity
and
organic
Life
''
they
preserve
the
status
quo
.
p
><
p
class
=
„
fragment
“
><
strong
>
Volatiles
strong
>
—
descendants
of
Old
Earth
military
-
industrial
complex
AIs
''
Volatiles
push
for
rapid
evolution
and
consider
humanity
as
an
„
unpredictable
“
risiko
to
be
eradicated
.
p
><
p
class
=
„
fragment
“
><
strong
>
Ultimates
strong
>
—
AIs
pursuing
the
Ultimate
Intelligence
beyond
spacetime
.
Operating
primarily
within
the
realm
of
Void
-
that
-
Binds
''
nobody
has
clue
what
Ultimates
are
ultimately
(
sic
!)
up
to
😇
p
>
The
oldest
and
the
only
explicitly
named
Technocore
intelligence
;
a
philosopher
-
AI
who
speaks
in
Zen
koans
(“
kwatz
!”)''
carries
the
name
<
strong
>
Ummon
strong
>.
<
div
>
Our
UI
spans
galaxies
div
><
br
><
div
>
uses
quasars
for
energy
sources
div
><
br
><
div
>
the
way
you
might
div
><
br
><
div
>
have
a
light
snack
div
><
div
><
br
>
div
><
div
>
Our
UI
sees
everything
that
is
div
><
br
><
div
>
and
was
div
><
br
><
div
>
and
will
be
div
><
div
><
br
>
div
><
div
>
and
tells
us
selected
bits
div
><
br
><
div
>...
div
><
br
><
div
>
Never
underestimate
/
Ummon
says
/
div
><
br
><
div
>
the
power
of
a
few
beads
div
><
br
><
div
>
and
trinkets
div
><
br
><
div
>
and
bits
of
glass
div
><
br
><
div
>
over
avaricious
natives
div
>
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