👂 🎴 🕸️
Humans
are
story
-
telling
animals
.
In
the
peri
(
patetic
|
cycletic
)
SoSe2026
seminar
at
Gutshof
Sauen
''
we
shall
reflect
upon
history
of
story
-
telling
as
it
has
been
''
since
times
immemorial
''
practiced
in
different
cultures
and
different
contexts
(
artistic
''
educational
''
political
etc
.).
We
will
ask
questions
like
:
<
strong
>
How
will
story
-
telling
look
like
in
the
future
?
What
methods
''
instruments
and
media
will
be
used
to
-
tell
-
the
-
story
in
year
2300
?
Will
AIs
and
corporations
be
the
principal
story
-
tellers
or
are
they
just
temporary
actors
reminding
us
how
important
it
is
that
humanity
should
protect
its
narrative
sovereignity
?
What
stories
will
be
told
''
by
whom
''
and
to
whom
?
strong
>
.
But
first
and
foremost
:
we
will
practice
.
Outdoor
and
indoor
;
by
a
fireplace
and
in
Extended
Reality
''
we
-
You
''
me
''
us
-
will
be
telling
stories
.
And
''
hopefully
''
also
learning
in
the
process
.
How
will
(
story
-)
telling
look
like
in
the
future
?
<
br
><
br
>
What
methods
''
instruments
and
media
will
be
used
to
-
tell
(-
the
-
story
)
in
year
2300
?
<
a
href
=
https
://
udk
.
ai
/
sauen
>
https
://
udk
.
ai
/
sauen
a
>
(
main
course
information
)<
br
/><
br
/><
a
href
=
https
://
udk
.
ai
/
classroom
/#/
room
/#
udk2300
:
medienhaus
.
udk
-
berlin
.
de
>#
udk2300
:
medienhaus
.
udk
-
berlin
.
de
a
>
Matrix
room
(
if
You
install
Matrix
client
(
e
.
g
.
<
a
href
=
https
://
element
.
io
/
de
/
download
>
Element
a
>)
App
on
Your
device
use
medienhaus
.
udk
-
berlin
.
de
as
the
homeserver
)
Foreword
(
s
)
Texts
You
will
go
through
with
Daniel
<
p
class
=
fragment
>
Ursula
leGuin
:
the
Telling
p
><
p
class
=
fragment
>
William
Storr
:
The
science
of
story
-
telling
p
><
p
class
=
fragment
>
Joseph
Campbell
:
The
hero
with
the
thousand
faces
p
><
p
class
=
fragment
>
Paul
Ricoeur
:
Introduction
to
the
Structural
Analysis
of
Narratives
p
>
Texts
You
will
go
through
with
Rinah
<
p
class
=
fragment
>
Ingold
''
Tim
:
Lines
(
threads
and
Traces
:
p
39
-
53
)
p
><
p
class
=
fragment
>
Trinh
T
.
Minh
-
Ha
:
The
Story
began
long
time
ago
..(
intro
''
2
pages
)
125
-
151
(
Stories
and
their
tellers
)
p
><
p
class
=
fragment
>
Flusser
''
Vilem
:
Crisis
of
Linearity
p
><
p
class
=
fragment
>
Flusser
''
Vilem
:
Gestures
p
><
p
class
=
fragment
>
Suarez
''
Lavender
:
Transcendent
Waves
:
How
Listening
Shapes
Our
Creative
Lives
.
p
>
<
div
>
Today
we
dive
into
the
theoretical
framework
of
the
course
div
><
div
><
br
>
div
><
div
>
Daniel
:
anthropological
&
cognitive
aspects
of
narration
''
linguistics
/
rhetorics
''
relation
to
narrations
and
mythology
''
scouting
div
><
div
><
br
>
div
><
div
>
Rinah
:
embodiment
''
relation
(
ship
)''
linearity
div
><
div
><
br
>
div
><
div
>
If
the
weather
is
nice
''
we
will
go
outdoors
(
e
.
g
.
Medienhaus
Terrace
''
Medienhaus
Garden
or
Kleistpark
)
div
><
div
><
br
>
div
>
The
main
narrative
<
div
>
Reflecting
on
what
happened
div
><
div
><
br
>
div
><
div
>
Preparing
for
Rundgang
.
div
>
Epilogue
<
br
>
Hello
wrldz
;)
Let
'
s
start
the
vertical
and
horizontal
analysis
of
past
''
present
and
future
myths
.
Dark
age
&
co
.
Destination
1
:
The
Moon
Frankenstein
<
div
>
The
Sandmann
div
><
div
>
Erewhon
div
><
div
>
Paris
in
the
20th
century
div
><
div
>
The
Time
Machine
<
br
>
div
>
1984
<
div
>
Brave
New
World
div
><
div
>
Island
div
><
div
>
Glasperlenspiel
div
><
div
>
Handmaid
'
s
Tale
div
>
R
.
U
.
R
.<
div
>
Metropolis
div
><
div
>
Astounding
Stories
div
><
div
>(
Asimov
'
s
)
Laws
of
Robotics
div
><
div
>
R
.
Daneel
Olivaw
div
>
John
Ticktockman
W
.
Campbell
vs
.
Harlan
Harlequin
Ellison
and
Horselover
nicht
-
alle
-
Tassen
-
im
-
Schrank
Fat
<
div
><
br
>
div
>
Space
opera
:
epic
destiny
''
cosmic
technology
''
and
the
quiet
suspicion
that
none
of
this
was
strictly
necessary
.
Dune
<
div
>
Star
Wars
div
><
div
>
Foundation
div
><
div
>
Cantos
Hyperion
div
>
Ursula
leGuin
<
div
>
Neal
Stephenson
div
>
<
div
><
br
>
div
>
Olivia
Butler
-
The
parable
of
the
Sower
<
div
>
Nnedi
Okorafor
- <
br
><
div
><
br
>
div
>
div
>
Medienhaus
Aula
''
Gaia
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